Above: Improvised multi-projection by the Trinchera Ensamble
San Francisco Cinematheque‘s Perpetual Motion series opened on Friday night at Gray Area to host a large crowd of live cinema enthusiasts. The series extends through December 7 and features both international and local artists who show up to create work in the moment. A growing arts movement, expanded cinema offers film experiences as live rather than prerecorded events. These may include multiple moving projectors, live manipulation of image and improvised audio tracks.
This premiere installment featured arc, the sentinels of West Oakland’s Black Hole Cinematheque, projecting layers of found film detritus. Jürgen Reble, on a rare visit from Düsseldorf, Germany, and the Trinchera Ensamble, with its eyepopping abstractions, rounded out the show. These pieces all come from the School of Art as Endurance Test with elongated TRTs (total running times) to form immersive aesthetic experiences. The chaotic yet repetitive confluences require audience surrender, as they aim for a kind of purifying transcendence. Either they (or you) pass the test or they (or you) don’t.
It was the second piece, Alchemie by Jürgen Reble, that most caught me with its ritualistic fury. It raised the stakes to fulfill the promise of a true one-off event with a higher level of unpredictability. In this piece, the film loop circled across our consciousness to the point of mania while passing through chemicals and agent-changing solutions. We saw orphaned, trance-gripped beings change from negative image to positive image to pure grain to obliteration.
The object of art being destroyed by the very act of its presentation isn’t new. Years ago, I witnessed a similar event: a loop of black leader film punctured and eventually destroyed by a sewing machine. However, this one featured haunted visages that glowed beneath unraveling streams of emulsion, faces of those seemingly lost in time and space under the spell of, or perhaps in communication with, sublime cosmic forms. It was enough to induce a mystical fever in those of us susceptible to such enchantments.
The next Perpetual Motion show takes place on October 11 with Ken Jacobs’ Nervous Magic Lantern.
One thought on “Dust to Dust at Gray Area”
You’re becoming quite the cinema writer! Well done!