Häxän Project

Above:  performance by the Church of Color and Light

Last night, Other Cinema hosted a gathering of witches, both embodied and bound in celluloid. The night began with a brewing of cups by the Church of Color and Light, a local ritualistic performance collective that uses overhead projection, dance movement, and incantation for audience involvement and transformation. One slithering spirit even abandoned a rubber snake in my lap. Soundtracked by the buzzing of flies, their cultus ceremony set tone for a spooky evening with intermittent camera flashes punctuating the dark.

Cohesively curated experimental film and video from past iterations of the Häxän Festival filled the remainder of the evening’s program. Häxän celebrates witchcraft and the personal occult from a feminine perspective, with all works curated and made by women. The program was strong yet scrappy, with a generous dose of silence and nudity. A couple of pieces veered too close to the works of experimental film great Maya Deren (unsurprisingly) and animator Lewis Klahr, to be truly original.  But the lovely, ghostly Trapped Between Frames by Nazare Soares seemed outright possessed with its multi-exposed film frames trembling and twitching.

trapped-between-frames-other-cinema

Trapped Between Frames by Nazare Soares

Saturn Return was the other standout. This homemade video set on a rocky Mexican outcropping featured creators Ale Bachlechner and Olivia Platzer in a smart and satirical take on astrology, self-help and the nature video. Creative costuming and absurd dialogue left us laughing at the enactments of a string of relationship breakups triggered by the unpredictable age of 29-1/2, otherwise known as the dreaded Saturn Return.

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Saturn Return by Ale Bachlechner and Olivia Platzer

Photos by Kristin Cato

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