Other Cinema, gnarly underground film enclave in the Mission District, welcomed a hardy troupe of Winnipeggers last Saturday night. The array of 16 films showed a commitment to experimentation as well as to core materials: 16mm, super8, and film projectors kicking up corn dust. Influences were drawn from a wide range of the cinema history spectrum: from docucomedy to structuralist video to rapid fire animation to silent film. The highlight was Aaron Zeghers’ Holland, MAN, an expanded cinema showpiece featuring five finely choreographed projectors. This moving mosaic of farmland, skies, and snowfields beautifully celebrated and mourned the retirement of the filmmaker’s family farm in Southern Manitoba.
Photo by Aaron Zeghers